Happy New Year to CharityDO readers.
I hope you have had the most wonderful and relaxing holiday season filled with love, family and friends.
I don’t usually make New Year’s resolutions (as I usually break them) but this year I’m doing something new – actually a lot of things news. I’m making 2015 the year for a ‘new me’. A healthier, stronger and braver version who is going to dive out of her comfort zone, face fears and break some rules.
Sounds exhausting! But it’s time for a challenge and a new fashion voice and I’m ready to give 2015 a red-hot go. How about you?
January is not only an exciting time of new beginnings – in the fashion world it’s the much-anticipated time for the Spring-Summer haute couture collections. So to give you some style-inspiration for your upcoming charity events, I’m featuring my favourite collection from fashion week so far and one that signified a ‘new way’ for the designer.
Chanel Haute Couture Spring-Summer 2015 collection – just the sound of it makes me ‘fashion giddy’.
After watching the show I felt amazed and moved in equal measure. Amazed at Karl Lagerfeld’s continued ability to conceptualise his fantasies and dreams in fabric and design, and moved that the beauty and artistry that is haute couture remains, thankfully, still in existence.
A few words here won’t convey the sheer brilliance of this collection. To fully appreciate and understand the essence of the collection, you must view it in its entirety on www.chanel.com.
Here is a snapshot. After nearly a year in the making, the fashion stage is set with a grey and barren tropical garden, origami style, in a futuristic city where the trees and flowers have long died from some apocalyptic event.
The show commences with Chanel’s muse, Baptiste Giabiconi, as a gardener in Tom Sawyer-esque garb who waters the garden from a CC-branded watering can and viola the dead blooms come alive and colour and life burst onto the stage.
Monsieur Lagerfeld said the show came to him “one morning in bed, I saw it in a second” and from this flash of genius came the futuristic garden that he wove into this stunning collection.
Instead of Chanel’s usual black and white, Monsieur Lagerfeld said that “something was in the air” and instead he chose strong colours, the colour of flowers, for the collection.
Lagerfeld’s 21st century modern twist on classical Chanel took form with a floral theme in graceful movement.
With an uncanny ability to keep his talented fingers firmly on the modern pulse, Monsieur Lagerfeld gave the collection into a 21st century feel interspersed with the classic Chanel. A stroke of brilliance that will appeal to 20-something It-Girls and to his long-standing clientele.
The classic tweed suit came with a hip twist – lavish fringing, floral trims, shorter jackets that bare the midriff, and slouchy midi skirts.
It-Girls will love the low-slung belted sequin ballerina skirts (SO beautiful) and his established clients will fight for the pink sequin princess coats. Accessories were hip too with beanies, sock booties and long patent leather belts. A classic shape also got ‘Channeled’ – a wide-brimmed ‘Lady of the Manor’ hat covered with tulle.
But the best of all were Lagerfeld’s flowers that adorned everything from jackets to skirts, shrugs and beanies. Rich with colour, crystals and sequins, the floral artistry of this show was unbelievable. The wearer will surely feel as if they have shrouded themselves in a beautiful floral garden.
The finale featured a bride in a dress that takes your breath away. The floral bridal train took 15 seamstresses to make and untold hours. The bride was followed by four ‘gardeners’ (Tom Sawyer again) as bridesmaids carrying tropical bouquets.
Welcome to Karl Lagerfeld’s world of fashion genius. Breathtaking.